Homily for Good Friday, Year B
St. Mark’s Episcopal Church
“The dead do not turn their heads or their eyes to the right or left, but they sit in a quiet without stiffness. When they speak their tone is matter-of-fact, without sentimentality and, above all, without lagubriousness.” -Thornton Wilder
(stage instructions for the characters of the dead, opening of Act III, Our Town)
I was just shy of twenty years old when I read these stage instructions, written by Thornton Wilder into the manuscript for Our Town. I was rehearsing for the role of Mrs. Gibbs, wife of Dr. Frank Gibbs the town physician, Mother to George and Mother-in-Law to Emily. In the play, George and Emily grow up in Act I, fall in love and marry in Act II. And, if you know the story, you know that Mrs. Gibbs can be found seated among the on-stage dead in Act III, making a sort of distanced maternal welcome for young Emily who joins her family and neighbors in the Grover’s Corners cemetery after she dies during childbirth.
When I first got the script, I admit that I had to look up lagubriousness: “the quality of excessive mournfulness and uncheerfulness” I didn’t know that within a few weeks, I would more fully understand why Thornton Wilder chose that word. And, it’s meaning is completely embedded for me in the context of Good Friday.
My role in the college theater club production of Our Town was just a few weeks after my spring break. We had rehearsed Act I and II before break, and Act III was next. I headed home, bringing my script with me. I wasn’t raised in a liturgical tradition but I did honor Holy Week so I made plans to attend a multi-denominational community Good Friday service held in a park, just one town over from where I grew up. I called my friend Carlos to see if he wanted to go with me. Now, if I was narrating this story like the Stage Manager in Our Town, I might break the third wall and say, “her feelings for him were a mite bit more than friendship” which gives this story some added context. But, back to the sermon: I called up my friend Carlos to see if he wanted to come to the Good Friday service with me. And he said yes…and with a little hesitation added, “let’s have lunch first…I have something I want to talk with you about.”
Being 19, I was only worried about getting my heart broken. I was so worried, in fact, that the only thing that I remember clearly about the early part of that day was ordering a tuna sandwich because it was Good Friday and it seemed like the thing that I should do. I was chattering on nervously; my motive seemed to be that if I didn’t stop talking, I might not hear what I was afraid that I might hear. I don’t think I’d taken a full bite of my sandwich yet when my friend asked me, gently, to stop talking. And then he said to me: “I have to tell you something very serious. I found out I have AIDS. And, I’m probably going to die.” It was the 1980’s. This was our reality.
Now, I’ve been a priest for five years and preaching regularly for a decade, but surprisingly this is the first Good Friday sermon that I’ve been invited to preach. And a part of me always knew that I would have to preach this particular sermon at some point because Good Friday is indelibly marked by this memory for me. And I’m glad it is a story that I can share at St. Mark’s, because I know this is a community that palpably understands. Moments like this in our lives take us to the foot of the cross.
That Good Friday, I remember the entirety of John’s Gospel being read while we white-knuckled holding each other’s hands: love, death, grief, faith, resurrection all swirling together and yet silenced out of necessity. Later, I remember trying to get myself together so that my family would know nothing when I walked back through the front door. My profound and palpable grief felt like it was being carried in every cell of my body and yet all I could do was to focus my attention ahead, not looking to the right or to the left, at what was or what might be as I walked each deliberate step. The great irony was that I thought I could distract myself by memorizing my lines. Instead, I could only read the words of that Act III opening stage instruction over and over again as I imagined myself not as Mrs. Gibbs in the Grover’s Corners cemetery but at the foot of the cross, side by side with my friend. Not turning our eyes to the right or to the left. Surrounded by death yet sitting in a quiet without stiffness or sentimentality. Without lagubriousness.
Pause with me, if you will, in that space at the foot of the cross of Jesus.
Thirty something years later, and that is where I always stand on Good Friday. With me are the other mourners: Jesus’ mother; his mother’s sister Mary, wife of Cleopas, Mary Magdalene, the disciple whom he loved. There are so many other people there, too: disciples, named and unnamed; those who mock; those who are afraid; others gathered in solidarity who across the centuries have been victimized, persecuted, misunderstood, labeled, beaten, given a name that is not their own, mocked, stripped, left for dead.
And after a time, we who remain begin to realize we are not among the dead. We begin to free our vision, we dare to turn our heads, to see those others with us: their gentleness, their trust, their love and their belovedness. And we realize that we are, in fact, still among the living who through their tears are also beginning to notice their lives more deeply linked in relationship with one other, to begin to see each other as beloved family.
In the play, Emily Gibbs tries unsuccessfully at first to take her place among the dead. She asks for a chance to go back, just one more time, to a happy moment. In spite of dissenting voices of experience and wisdom from among the dead, she is granted permission by the omniscient stage manager. She picks the day of her 12th birthday. It’s an ordinary day, filled with ordinary yet overwhelmingly beautiful, loving things she hadn’t ever noticed before. And her heart is cracked open by the fact that no one among the living is pausing long enough to look at her; they are going through the motions of life unaware of its precious and transient nature. She turns away, exasperatedly saying to the Stage Manager:
“I can’t. I can’t go on. It all goes so fast. We don’t have time to look at one another….I didn’t realize. So all that was going on and we never noticed.” – Thornton Wilder (Emily, returning to her 12th birthday, Act III, Our Town)
Good Friday is our opportunity to stand at the foot of the cross and notice.
Confronting life and death breaks us open to notice and transform our days. Confronting the ugly death by which the Son of God died by human hands breaks us open to notice and transform our lives. But what do we notice? Who is with us? Whose hand are we holding? Whose tears are we wiping? Who becomes our brother, our sister, our sibling when the one who has been loving us now looks at us from the place of his death and invites us not to turn away or to sit in detached silence like the dead, but to turn towards each other and to love one another?
It starts to come into clarity now, here at the foot of the cross, these lessons of profound, mind-blowing love that defined Jesus’ life and ministry. Healing the out-cast; recognizing the faithfulness of the people that others see as broken or cast-off; the greatest among you becoming the servant and the servant becoming the greatest of all. The parables that seemed to turn everything we thought we knew over into new lessons of undeserved love, mercy, and grace which defy human logic. The tables now literally and symbolically overturned at the sight of injustice and the arrogance of thinking we could somehow manage and manipulate God who made and will remake the whole world. There are moments when the whole world seems to be ending, and at the same time we realize that it is just beginning anew.
On Good Friday, we have an encounter not only with death, but with eternity.
After some moments in life, we are not the same. Perhaps we wouldn’t wish them on ourselves or anyone else. And yet these most powerful moments of our lives break us open. Perhaps that is because it is only in our brokenness that we are able to make room and receive God’s transforming grace. Only at the foot of the cross can we know what it is to feel the smallest flicker of the eternal flame of God’s overwhelming love piercing through the veil.
In so many ways, the way I live out my life and vocation can be sourced back to that Good Friday thirty-something years ago. Because in every way, all that I am is dependent upon being at the foot of the cross, broken open, sitting in that quiet moment where we are given a glimpse of eternity…where my life, and your life and all lives are interdependent upon one another through our belovedness in the eyes of God who made us, and transforms us, and remakes us so that we are instruments of that transforming, eternal love.
“Now there are some things we all know, but we don’t take’m out and look at’m very often. We all know that something is eternal. And it ain’t houses and it ain’t names, and it ain’t earth, and it ain’t even the stars…everybody knows in their bones that something is eternal, and that something has to do with human beings. All the greatest people ever lived have been telling us that for five thousand years and yet you’d be surprised how people are always losing hold of it. There’s something way down deep that’s eternal about every human being.” – Thornton Wilder (stage manager soliloquy Act III, Our Town)
Open to the eternal now, beloved friends in Christ as we stand together at the foot of the cross.














